Hoysala Templesಹೊಯ್ಸಳ ದೇವಾಲಯಗಳು
Sculptures at the Chennakesava Temple, Somanathapura, Mysuru, Karnataka, India (2009)
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Sanctuary #6 · Mysuru Circuit

Chennakesava Temple

ಚೆನ್ನಕೇಶವ ದೇವಾಲಯ

Somanathapura, Mysuru1268 CE (13th Century)
Credit: Wikipedia / Wikimedia Commons
Consecration· ನಿರ್ಮಾಣ ಕಾಲ
1268 CE (13th Century)
Royal Patron· ಪೋಷಕರು
Somanatha Dandanayaka, high-ranking general under King Narasimha III
Sanctum Deity· ಪ್ರಧಾನ ದೈವ
Keshava (Vishnu) with Janardhana and Venugopala
Territory· ಸ್ಥಳ
Somanathapura, Mysuru
UNESCO Heritage· ವಿಶ್ವ ಪರಂಪರೆ
UNESCO World Heritage Site since 2023 (Sacred Ensembles of the Hoysalas)

The Chennakesava Temple at Somanathapura is a magnificent trikuta (triple-shrine) Vaishnava temple situated along the Kaveri River. Recognized as part of the UNESCO World Heritage Sacred Ensembles of the Hoysalas, it is celebrated for its perfectly balanced stellate layout, three fully preserved towers (shikharas), and richly sculpted outer cloistered courtyard.

Somanathapura · Mysuru Region · 13th Century
Karnataka GraphActive Node
Somanathapura
Sacred Ring
Cross-link
Visual Survey

Sanctuary Gallery & Details

Sculptures at the Chennakesava Temple, Somanathapura, Mysuru, Karnataka, India (2009)

Credit: Wikipedia / Wikimedia Commons

Somanathapura Temple Karnataka

Credit: Wikipedia / Wikimedia Commons

Vishnu at Keshava Temple, Somanathapura

Credit: Wikipedia / Wikimedia Commons

Front View of Chennakesava Temple, Somanathapura

Credit: Wikipedia / Wikimedia Commons

Chronicle & Epigraphy

Historical Foundations of Chennakesava Temple

Commissioned in 1268 CE by Somanatha Dandanayaka, a general in the service of Hoysala King Narasimha III, the temple was built as the centerpiece of an agrahara (scholarly settlement). Consecrated with three shrines dedicated to Keshava, Janardhana, and Venugopala, the complex withstood subsequent conflicts during the late Hoysala and Vijayanagara periods. Although the original central Keshava murti was damaged and later removed, the surrounding Janardhana and Venugopala idols remain in worship-worthy state. Today, the monument is meticulously conserved by the Archaeological Survey of India.

Vesara & Soapstone Craft

Architectural Elements & Design

The distinctive sculpture and structural innovations that define the sanctuary layout at Chennakesava Temple.

01
Stellate plan motif

Trikuta (three-shrine) symmetrical layout raised on an elevated stellate jagati platform

Hoysala Motif
02
Architectural highlight

Three fully intact stone shikharas (superstructures) topped with kalashas

Hoysala Motif
03
Stellate plan motif

Rectangular enclosed cloister (prakara) lined with miniature shrines and pillared verandas

Hoysala Motif
04
Tiered frieze motif

Continuous relief friezes depicting elephants, horses, mythical makaras, and swans

Hoysala Motif
05
Tiered frieze motif

Intricate narrative relief bands illustrating scenes from the Bhagavata Purana, Mahabharata, and Ramayana

Hoysala Motif
06
Lathe-turned pillar motif

Exquisitely turned soapstone pillars with bell and ring contours in the navaranga

Hoysala Motif
07
Architectural highlight

Elaborate rosette and lotus ceiling medallions inside the central congregation hall

Hoysala Motif
Field Notes & Pilgrimage

Visiting Sanctuary & Access

Operational Schedule & Entry

Managed by the Archaeological Survey of India (ASI). Open daily from 9:00 AM to 5:30 PM. A nominal ASI entry ticket applies (free for children under 15). Located approximately 38 km east of Mysuru and easily accessible by road. Photography is allowed on the exterior grounds; shoe racks and guided information boards are available on site.

Note: Operational hours, priest pujas, and ASI ticket counter schedules fluctuate by season. Verification with local authorities is recommended prior to travel.

Location & Transit Hub

Situated in Somanathapura, Mysuru district (Mysuru circuit). Accessible via state highways with local taxi/bus links from district headquarters.

Preservation & ASI Guidelines

Protected national monument. Footwear must be deposited at the outer entrance before stepping onto the raised soapstone jagati (platform). Flash photography inside inner sanctums is restricted.

Best Hours of Illumination

Early morning and late afternoon sunlight reveal the deep relief of lathe-turned columns and frieze relief bands with minimum stone heat.